ANDREA ENGLAND ART
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Tales of an Artist Afloat

Full Circle- A Year of Drawing

14/2/2017

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Andrea England Art
Great Barrier Island, January 2016
Sometimes life comes round in a circle. Right now we're anchored at Port Fitzroy, Great Barrier Island, which is where we spent the end of January last year. I know it's mid February now, but the time and place feel right for a bit of reflection. 
Picture
Great Barrier Island, January 2016
I started my first class in Sketchbook Skool a year ago. It was called 'Beginning' (a very good place to start, as Julie Andrews/ Maria would agree). The first week was taught by Danny Gregory, and the homework was simply to draw, every day. It would be the perfect way to start forming a habit. So I drew Great Barrier- anchorages, birds, waterfalls, the store here at Port Fitzroy. Cups of coffee, the dinghy engine, kids playing and my husband mending the sail cover. My sketchbook changed from an occasional companion to a constant friend. I photographed my sketches, posted them and gathered inspiration from the other students as well as from the sketchbooks of our tutors.
Andrea England Art
Waterfall walk 2016
Andrea England Art
Waterfall walk 2017
A year on, I'm still drawing. The habit I started with Beginning remains, consolidated by half a dozen other classes taken through Sketchbook Skool. I've learned new techniques and, I hope, improved. So I pulled out my sketchbook from a year ago.

Have I got better? In some ways, yes. My inner critic wonders if I've lost a sense of delicacy, but I can still draw this way when I choose to, and my line work these days feels more confident. It's good to look back and see lots of things I like in my older work- the page with the birds and Jim stitching the sail is one of my favourites. But my more recent sketches feel more distinctive, more confident, more 'mine'.  
Andrea England Art
View from Lookout Rock 2016
Andrea England Art
View from Lookout Rock 2017
The most obvious change in my work is the scale. My sketchbook of a year ago had numerous tiny drawings littering a double page spread, with copious notes about the weather and the day. Now I mostly have single images across a double page spread. Words have taken a back seat, though I do like the diary style of my older work. 

My ultra-fine liner has been exchanged for a brush pen, at least for the moment. I love the expressive lines of the brush pen, and have been determined to actually stick with one medium for a while. Looking back, I like the delicate lines of my fineliners too, but the brush pen is working for me right now. I still can't draw a straight line, but my lines are less sketchy; they flow more and I think they give the drawings more presence. 

My greatest improvement, I think, is in my use of colour. I've got better at shading with watercolours, introducing a sense of depth into my sketches and bringing in the dark darks that I've struggled with for so long. I mostly use watercolours alongside pen, but I'm making the watercolour do part of the work, giving value (light and darkness) as well as colour.  
Andrea England Art
Old Lady Track, 2017
So what next? I'm sticking with the brush pen a while longer, and I'm going to keep improving my watercolour techniques. I'll try and bring back some of the written elements, and drawing the little details in life as well as the big exciting things. My older sketchbooks remind me of techniques that I enjoyed and haven't used for a while- such as sketching in coloured pencils or with ballpoint pens- and I'm keen to pull these out again a little further down the line, perhaps see how I can make them work alongside my brush pen and watercolour. I'm sure there will be more Sketchbook Skool, but it's good to have consolidation time. 
Andrea England ArtQuion Island, 2017

My collection of filled sketchbooks is supposed to get exiled off the boat soon- it takes up valuable space and may suffer from the humidity of the tropics. But I might keep a couple of books with me- or at least scan them in, as a reminder of what I've learnt and a source of inspiration for the future. And I'll certainly try to keep up daily drawing, whatever form it takes.   

Do you ever look back at your old sketches? What have you learned from them? Do you ever find yourself returning to old styles and concepts?
2 Comments
Karen W link
15/2/2017 04:11:08 am

I've just finished Drawing Without Talent at Sketchbook Skool. I really enjoyed that and am now trying to decide between Beginnings and Seeing. Such a hard choice, but whichever I choose, I will work at my own pace and not try to keep up with others.

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Andrea England
15/2/2017 12:08:35 pm

I really enjoyed both courses. Beginning was a great exploration of different approaches- I loved Koosje's week on coloured pencils, Roz's week of animal sketches was brilliant and for me, Tommy Kane was a game changer. Seeing felt like more of a challenge; it seemed a bit less fun than Beginning (probably because I struggled sometimes) but I learned a lot from it. Unsurprisingly the classes there have a bigger focus on technique and how to draw what you see. I don't think you can go wrong- I hope you enjoy whichever you choose first!

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    Andrea England

    An Artist Afloat- Painting the world one anchorage at a time. 

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