The Log Book
Tales of an Artist Afloat
Boat work/ boat sketches
The list of boat jobs is steadily getting ticked off, and I'm slowly combatting the paperwork and research side of things. And, of course, sketching. The rudder is back on and smoother and steadier than it's been in a long time, the mast is undergoing some major repairs and any weekend now I could get the call to come down to the boatyard and help slap on bottom paint.
Slapping on watercolour over my Platinum maki-e brush pen is much more relaxing. I'm loving the variety of lines I can get from this pen (and look! I used the same materials for two drawings in a row!).
Sketching my Jimmie is fun too. He reckons I've drawn too much hair. I reckon he needs a haircut!
We've also checked our watermaker is in full working order. This is an essential part of our emergency kit, in case we run out of water or our water gets contaminated. Jim made up a bucket of salt water and I pumped it through. The result was excellent- salt and chemicals all removed. I had fun with a multi-coloured pen and carved my own arrow stamp from a bit of lino.
We're still not sure if we'll make the 17th October for our launch date, but it's great to see things progressing!
There's a wonderful sense of achievement when you finish a picture that you've been working on all week! I began drawing a word with illustrated letters last weekend. In my infinite wisdom I decided I'd work on it in ballpoint pen and would cross hatch the whole thing. This probably meets Andrea Joseph's success criteria for 'drawing like a barmpot'. I have worked in biro before, but this A4 drawing was the largest yet.
Some things I learned:
I'd love to hear what you think!
It's been a busy month. At school, I've been working with Year 7/8 students to write then rehearse the script for our full school production- which, with a cast of over 800 is getting bigger than Ben Hur! At home I've been taking Andrea Joseph's Creative Lettering course at Sketchbook Skool. I was a little hesitant- I love Andrea's work and teaching style but wasn't sure about a whole four weeks of lettering. I quite like calligraphy, but could I do almost a month of it? Every day? I was worried I'd get bored. I was wrong.
Every day Andrea posted a new video for us to watch, and most days we had a new piece of homework. I like playing with ideas and didn't always complete tasks in a day, with the result that the course finished yesterday and I am approximately a week behind. This isn't a bad thing- I've learned a LOT, and feel very inspired. Many of the ideas are things I will be able to adapt and utilise when the course is over, which is why the initial 'playing around' stage is so important to me. I've got over my feeling that 'lettering must be perfect' but can now make it close to perfect if I want to. I can create words that are pictures and pictures that are words and I hope that the lettering in my sketchbooks will never again be a hastily scribbled and embarrassing afterthought.
Andrea's instruction is excellent and the course is inspiring. Definitely recommended if it's run again. And I still have access to all the course materials, so I can take my time and enjoy finishing off- between helping direct our cast of hundreds! On with the art- and on with the show! Which style of lettering do you like best? Write a comment- or click my instagram link to see more!
An Artist Afloat- Painting the world one anchorage at a time.