The Log Book
Tales of an Artist Afloat
Sketching Saturna's Sunrise
Saturna was a wonderfully sleepy, timeless island. It ticks along at its own pace, inhabited by retirees, holiday makers and the odd artist. This made it a wonderful place for cycling, as the roads were all but empty. We saw more deer than cars.
Jim and his mountain bike conquered the big hills without me, but my little fold up bike and I were up for the ride to East Point. Jim described the route as 'flat', which was a bit misleading- 'gently rolling' would be more accurate. I got a bit more exercise than I'd expected, but bike and I made it intact to the little museum looking out over the Juan de Fuca Straight.
There used to be a lighthouse here once, but when it was decommissioned it was decided that the best course of action was to blow it up. The lighthouse and lighthouse keeper's cottage were soon demolished, despite the protests of locals. However, the instructions for explosion did not include a termination sentence for the little building that housed the fog horn. Some forgetful soul had missed it off the hit list, so the demolition crew left it standing. This sole survivor is now a tiny museum, packed full of interesting information about the history and nature of Saturna and the Gulf Islands. I read about the Pig War between the British and the US, sparked off by the shooting of an unruly British hog who had invaded an American's garden. The pig was the only casualty in the war, but the greater debate was who the islands belonged to- should the US or British be ruling on the pig's demise? After a period of military posturing by both sides, an arbitrator was brought in. It was decided that the Juan de Fuca Straight was the deepest of the channels that ran through the islands, and was therefore most navigable and the most suitable boundary. The islands south of the Straight would belong to the US and became the Juan de Fuca Islands, those to the north would be the Canadian Gulf Islands. This border confused my phone, which spent most of our visit determined that we were in the USA.
Looking round the museum was interesting. Looking at the museum was beautiful. Bright white against the golden grass and blue sky, it stood above the swirling waters of the aptly named 'Boiling Reef. To the south were the blues and purples of the Juan de Fucas. To the north we had a beautiful view of Tumbo Island. Beyond it, the Gulf Islands studded the sea off to the horizon.
We had anchored Prism in Winter Harbour. When we arrived it was a busy mooring field but after Labour Day the call of work and school summoned the other boats home. Island Prism sat in the perfect spot to enjoy the wonderful sunrises visible through the harbour entrance, and with the shortening days I was often up early enough to see them. Evenings were spent ashore, enjoying the golden light and catching up with sailing friends.
Inevitably, laundry time was creeping round. We sailed up to Ganges, on Salt Spring Island, and were most surprised to find out that there was not a laundrette on the island. The dry cleaners would wash clothes at the princely sum of $21 a load and one of the marinas had facilities we could use- but we had to take a berth with them, and their moorage rates were budget-blowing. So I had to resort to good old-fashioned hand washing.
Salt Spring is known for its arts community, and there were plenty of galleries for me to explore. Gallery 8 was full of incredible work by masters in their media- Carol Evans' watercolours were particularly mind-blowing. I succumbed to the lure of a teal blue dress from Priestess and Deer and oggled cards at Inspiration. We thoroughly enjoyed the busy town but after a couple of days we were ready to move on from the bustling anchorage and steady stream of float planes.
Russell Island was a gem. It's not big, but it's peaceful and very pretty. The little anchorage would get busy in the late afternoon with boats popping out from Sidney for a beer with a view, but they'd up anchor around seven to get home before dark. The little homestead on the island used to belong to a Hawaiian settler. The apple trees which she and her husband planted were heavy with fruit, and Jim picked a few to enjoy on the porch. The fruit of one tree was rather tart, but they'd go perfectly with the ripening blackberries. If only Island Prism had a decent oven for pie baking!
The trees were filled with birds, filling the air with music. I recognised chestnut-backed chickadees and the squeaky red-breasted nuthatches, but the little plain brown birds that darted between the bushes and hid amongst the leaves defied identification. The sandy beaches invited me to paddle as I searched for signs of the terraces once built here for clams. I couldn't see the submerged rock walls, and our dinghy explorations were equally fruitless, but it was fun to hunt.
Shifting to Fulford Harbour, Jim dropped me off at the ferry to lug three framed paintings to Sidney for jurying for a fine art show. Thankfully Bill and his car came to our aid, and we left them in a hall with a thousand other paintings. Sadly I was unsuccessful and my ego felt a little bruised. Ultimately all I could do was remember that it wasn't personal, there was plenty of competition and as I have no way of knowing why my work didn't get in, there's no point dwelling on it. My best course of action was to pick up the brush and get back to painting. After all, creating is the main thing, practice makes improvements- and there's always next year!
The Wild Beasts of Tumbo Island
The summons to Vancouver suddenly put us on a tight deadline. Immigration had given me an interview time for my permanent residency application and missing it would not look good, so we said goodbye to the Broughtons and followed the Johnstone Straight south. One day of very strong winds and big swells had us seeking refuge in Kelsie Bay, but otherwise the wind, tides and back currents worked with us and we reached Vancouver on schedule. My interview was successful, and we had a little time to play, cycling to Stanley Park and enjoying the urban wildlife of the city.
We ended up in Bennett Harbour because of the tide. With current against us and finicky winds, our sail from Vancouver had been slow, and we didn't think we'd make it to our destination of Saturna Island before dark. As we'd come south the temperature had risen, and it was warm enough that we could sit outside in the pleasant, sheltered anchorage and watch the sun set. It wasn't long until we'd sighted an eagle or two, and been visited by a curious seal. Despite the opinion of the local fishermen, I still find seals exciting. We see them most days, basking on rocks or popping up to the surface to breathe, watching us with large black eyes. To fishermen, they're a nuisance, competing with them for fish and sometimes stealing catches off the line (a trick also beloved of sealions).
After a restful night we continued south to Cabbage Island. There are a series of mooring buoys between Cabbage and Tumbo Islands, and we managed to snag a buoy an easy rowing distance from both islands. Cabbage Island was small but very interesting. Each beach was different- gravel, sandstone or white sand. The eroded sandstone formed a number of tide pools and lagoons, home to purple starfish, green anemones and darting little crabs and fish. In the forest grew Garry oak, red cedar and arbutus, a beautiful tree with reddish bark which peels off naturally to reveal fresh honey-gold wood underneath. The twisting limbs form fascinating shapes, and the bright green leaves contrast with red berries in the autumn.
Nearby Tumbo island was even more lovely and full of wildlife, some of which was very wild indeed. It's hard to get ashore near our anchorage, and when we tried to tie up the dinghy we realised that we'd need a much longer stretch of rope to reach any of the trees near the trail. Jim rowed bck to Prism whilst I sat on the sandstone shore and painted one of the reefs revealed at low tide. Then I heard a long growl from the bushes above me. Was it a bear? Wolf? Cougar? Could I use a paintbrush in self defence? I looked up and saw the beast towering over me... It was a racoon. She was standing on her hind legs and growling at me. I stood up too, stretched up on tiptoes and growled back. She backed off a little, but was still very unimpressed. Two little balls of fur dashed past her and up a tree. Mother Racoon was obviously in full defence mode!
When I was confident that she wasn't about to take a flying leap and land on my head, I returned to my painting. She kept watching me for a while and I heard the occassional grumble before Jim returned. We tied up the dinghy and I was pretty sure that she and her little family would be well away by the time we climbed up to the trail. I was wrong. The little ones were still up in their tree. I sketched them both, one watching me unconcerned as the other napped. Then a third head emerged- triplets! We didn't linger too long in case Mum came back, but they were very cute indeed. I don't have internet as I type this, but must remember to look up the correct word for a baby racoon. Cub? Kit? Racoonlet?
The forest trail was wide and well-maintained, fringed with towering cedars. It skirted a swampy area in front of an old homestead, where we saw a doe and her fawn wandering through the meadow. They were absolutely unconcerned until the barrel of my brush made a ringing sound in my water pot. The pair picked up the pace and trotted off into the trees, leaving me to finish my sketch before we continued on our way. It seems that a paintbrush can indeed terrorise wildlife! Eventually the trail led to a stoney beach, fringed with piles of driftwood. The headlands were covered in Garry oak and arbutus, and we had a beautiful view of the San Juan Islands, over the US border.
The loop trail took us close to the homestead and back to the dinghy. The racoons had gone and the tide was up. I tried to pull the dinghy to shore so we could get in, but Jim had used a stern anchor and it was stuck fast. There was nothing for it- I was finally going to get that swim. The water was bracing, but wasn't too bad once I was in. I swam out to the dinghy and wrestled with the anchor, pulling the line in different directions and trying to wriggle it free but nothing I could do was persuading it to shift. Jim braved the water to have a go, and was also getting nowhere fast until he hopped into the dinghy and tried rowing at full speed. Changing directions at intervals eventually did the job and, in a fantastic display of upper body strength, he was able to haul the anchor aboard and row us home. We returned in time to watch a company of four otters splashing, fishing and playing. One game seemed to involve jumping up out of the water and grabbing overhanging branches, making them bob and bounce until the otter plopped back down with a splash. Wrestling was another amusing pastime, both on the rocks and in the water.
The following day we popped the engine on the dinghy and motored back to the driftwood-fringed beach. The focus of the day was art; there were so many things to draw that one visit had not been enough! We hopped between sunny spots as I sketched the views. Lunch was spent sat on a huge log, watching ospreys hovering above the bay before plunging down to scoop up fish. On the dinghy ride home we figured out what had been attracting them. A large school of herring swam around the dinghy, their sides flashing silver in the light as they swam in unison. It's always a sight that lifts my heart a bit, for the pretty sparkliness and for the hope that there's still enough of a herring population to help sustain the rest of the marvellous wildlife that depends on them.
An Artist Afloat- Painting the world one anchorage at a time.