ANDREA ENGLAND ART
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Tales of an Artist Afloat

Following the Curve of Time in the Broughton Archipelago

23/9/2019

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Harlequin Cove, 16" x 20" watercolour
Inspiration flows when life slows down. I feel at my most creative when I have time to sit and watch the world, to paddle along in the dinghy, to poke around tide pools, search amongst the driftwood or hike through a forest. I stop to sketch or pause to take a photo that will refresh my memory later.

As we cruised the Broughton Archipelago, the pace of life was perfect for creating. We had no time deadlines and the highly sporadic internet removed a distraction. Peaceful, secluded anchorages added to this sense of tranquility. Foggy mornings gave me time to paint on Prism each day, and when the fog lifted I'd pack up my art supplies and go exploring with Jimmie.  ​  
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The fog had almost prevented us visiting Tuesday Cove, between Mars and Tracey Islands. In her book 'The Curve of Time', M. Wylie Blanchett gave a beautiful description of this idyllic little anchorage which she discovered when inclement weather forced her to move from nearby Monday Harbour. Despite the fact it isn't marked on any map, Blanchett describes the cove so well Jim was sure he could find it. But thick shrouds of fog meant we didn't dare enter the labyrinthine channels that would lead us there. Even with GPS, the narrow entrances, shallow patches, fast-flowing currents and numerous kelp beds would be hazardous if we didn't have a decent view. Ah well, the plans of sailors are written on the wind and tide. This wouldn't be the first time we've had to edit or rewrite because of meteorology. We were busy redrafting when the wind finally read our initial memo, sending a stiff breeze which gave us a beautiful downwind sail through Fife Sound as the fog cleared before us. The entrance we wanted was revealed and I helmed us through the narrow pass. Our route was clear, with wonderful views of steep-sided islands and kelp-fringed shallows.  
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Entering Monday Harbour, we found the little nook between islets which formed Tuesday Cove. The thickly forested shore had a white shell beach, revealed at low tide, and the islets and the narrow drying inlet between Tracey and Mars Islands gave us plenty to explore. There was always something to watch. Hunting harbour porpoises chased their prey into the cove, herons landed in the fir trees (always a slightly ungainly sight) and cantankerous kingfishers defended their favoured twigs with noisy aerobatic antics.
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Monday Harbour, 11" x 14" watercolour
After a few days there it was hard to persuade ourselves to up anchor, but we were glad we did. Our next day of sailing took us through the Burdwood Group. These little islands are currently uninhabited and unnamed. This wasn't always the case; the numerous white shell beaches and village sites indicate that a thriving First Nations community once lived amongst these islands. Perhaps the old names live on, and the map makers just never bothered to ask the right people. ​
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​There is a small camp ground in the Burdwood Group, but no secure overnight anchorage for a sailboat. With a little poking around we were able to find a couple of reasonable day anchorages to drop the hook whilst we explored using the dinghy. The island with the campsite was a particular gem. In the sunlight, its long white shell beach looked almost tropical, and as the temperature finally rose above twenty degrees I began to seriously contemplate swimming. Trails through the forest invited exploration. No traces of long houses remained, but cedar trees with patches of stripped bark showed that visitors had brought some of the old traditions back with them. Red cedar is known as 'the tree of life' and its bark has many uses, from weaving baskets and ceremonial clothing to creating fishing line. It also smells wonderful.

​I didn't brave a swim as my togs were back on the boat and the afternoon was pushing on. Even on warm days the temperature tends to drop at about 6pm. Being cold and wet as we moved to a more secure anchorage wasn't going to be fun. So I sat on the shell beach, painting the summer blues and hoped that we'd make it back another day. We did return, and the Burdwoods were still beautiful even though it was cold and cloudy. On our second visit we returned to our idyllic white shell beach and also explored some of the surrounding islands. Most of them were pretty impenetrable and we couldn't leave the foreshore, but it was always a pleasure to just enjoy, breathe and be. Sometimes life doesn't need to be complicated!
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Summer Reflections, 8" x 8" watercolour
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Paradise Found- The Burdwood Group. 16" x 20" watercolour
Making our way up Tribune Channel, we passed Lacey Falls which pours down a steep face of patterned granite. Branches and tree trunks in the water indicated that there were logging operations in the area. The logs found favour with seagulls, who jauntily bobbed along on their mobile perches.


We ducked into Watson Cove, which the cruising guide said was surrounded by waterfalls and was the access point to see a thousand year old cedar tree. This sounded wonderful and the cove was lovely but the anchorage was fairly deep, there wasn't much swinging room and little shelter from the forecast wind. The next option, Kwatsi Bay, was also deep but very well protected. We anchored beneath a low hill. The towering mountains to the east of the bay were breathtaking, but the scars on their steep sides spoke of landslides. We felt safer keeping our distance, and dropped the anchor in thirty metres with plenty of swinging room.
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Following the Curve of Time, 16" x 20" watercolour
I'd embarked on a series of three 16” x 20” watercolours. The first was of Harlequin Cove (which you can read about in a previous blog post), and for the second I'd decided to paint my favourite group in the Burdwoods. A painting of that size takes me a few days including planning and drafting, and I managed to make a good start during the wet and foggy morning. When the weather cleared, a group of Pacific white-sided dolphins entered the cove. They proved to be very distracting as they hunted fish around the anchored boats. The pod would split into groups, with one group driving the fish towards the shore and their waiting friends. In the shallow water the fish were easier to herd and pick off. After the feast, the dolphins stayed in the shallows, swimming slowly as if they were resting and digesting. Then came play time, with spectacular jumps and twists. When the calves tried to join in, the adults would show them how it was done. I'm sure the little one improved as we watched! We hopped in the dinghy and rowed a little closer to see if I could get some better photos. The dolphins decided to make us part of the fun, swimming towards us, diving under the dinghy and surfacing in unison. The acrobatics resumed, including some spectacular synchronised jumps as the dolphins showed off for their uncoordinated audience. We dragged ourselves back to the boat so I could wash my hair in the late afternoon sun. At sunset the dolphins headed off to do dolphin things, returning the following day. I managed to be a little more focussed on my artwork but still took regular dolphin breaks. It would have been rude not to!


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The Burdwood Group, 5" x 5" watercolour
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Queen of Shoal Harbour 6" x 6" watercolour
We saw our dolphin friends briefly when we moved to Bond Sound. I like to think that they were checking up on us. We anchored just inside the entrance to the Sound, tucked inside where we hoped to be out of the swell. The waves had a habit of curving round to find us and the current sometimes pulled us broadside to the breeze, so it was a rather rolly spot and not one I'd choose in bad weather! Jim wanted to explore the Ahta River, which was reported to be pristine. We waited until just before high tide when we could get the dinghy over the bar at the river mouth, then went on an adventure. At this time of year the river was salmon-free, but in Autumn I can imagine the clear water being full of fish- and the banks being lined with grizzlies. The late afternoon summer sun filtered through the trees and sparkled on the water. Back out in the bay seals swam, waiting for the tide to drop so they could haul out onto the fallen tree trunks.


Our need for supplies and laundry was calling us back to Alert Bay. I could have spent weeks more poking around, but instead we called in at the Burdwood Group one final time before spending a night at Shoal Harbour on Gilford Island. The harbour is well protected and a wonderful place to watch wildlife. A well-fed mother black bear and her two glossy cubs were padding along the foreshore. Mother was turning over rocks with a huge thud, slurping and gobbling up whatever molluscs and crustaceans she uncovered. The little ones carried out their own explorations, played and squabbled. Eating didn't seem to be too high on their agenda. We hopped in the dinghy and watched them until they reached a berry patch. Dessert! Much to the delight of the cubs, there were plenty of fruits and they spent a while munching. After they headed into the bush, we heard a wailing sound from the other side of the bay. Another cub was alone on the beach, crying for his mum. She took some time to find him, but eventually the sobbing stopped and we saw them walking together on the foreshore, much to the consternation of the dog in a nearby float home. All in all, it was a pretty happy ending.  
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10% off at my Etsy shop!

6/9/2017

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My Etsy shop has reopened and to celebrate, and thank you all for following the sailing adventures so far, I'm offering 10% off all original paintings until 13 September. ​Use the code TAHITINUI or follow the link https://www.etsy.com/nz/shop/AndreaEnglandArt?coupon=TAHITINUI to have the code preapplied! Easiest of all- just click on the button below!
Andrea England Art at Etsy
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Dolphins!

7/4/2017

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We had a great sail up from Leigh to Tutukaka. Prism sped along on a beautiful beam reach, the squalls dumped their rain around us but not on us, and we were met by a wonderful welcoming committee on the Tutukaka Coast! They spent half an hour escorting us in exuberant fashion. My only regret is not catching the moment when one splashed Jim with a huge tail lob!
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    Andrea England

    An Artist Afloat- Painting the world one anchorage at a time. 

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