The Log Book
Tales of an Artist Afloat
Today's post is a bit on the image heavy side- click on an image to expand it for a closer look. I've been trying to follow along with Inktober. It's a month long drawing challenge where the aim is to draw every day in (yes, you guessed it) ink. There are optional prompts to follow, but I've decided to go the route of doing my own thing and using a different tool each week. During Week 1 I focused on using fineliners- not the most adventurous start as I use them all the time, but it was school holidays and I had time to do lots of detailed drawings, so I figured I'd make the most of it. I'm enjoying mixing up pens of different sizes- it gives interesting variation in the hatching and line. On the days I had time to draw twice, I grabbed my Lamy Safari. Sorry fineliners, I love you but don't think we're about to enter an exclusive relationship. On a boat note, Jim's polished up the anchors and we've been working on repairing the furler, which has required quite a bit of running around and ordering parts. Finding affordable steel rope proved a bit of an epic task, but Jim managed it, and my paperwork endeavours succeeded in getting Prism an extension here in NZ- meaning we can spend the summer in NZ waters. Week 2 of Inktober saw me going back to work. Goodbye lunches at the boat yard with Jim, sketching and playing with watercolours. Hello, long days at school! For my tool, I picked my new Noodlers Konrad pen. I wanted to explore the flex nib, and be able to work quickly in case I was pushed for time (which I was). I was a little nervous about the pen as I had read quite mixed reviews about it. Noodlers pens are handmade but are also very inexpensive- this can lead to a pen which requires some tinkering (it seems like the perfect instrument for people who like taking things apart). I lucked in and became the proud owner of a pen which wrote perfectly straight out of the box. The flex isn't as dramatic as you might get with a dip pen nib, but is enough to give decent line variation when sketching. I think it will take a bit of practice to optimise this, but for this week I found it fun to use. I've been working my way through some of the ink samples I ordered along with the pen, with some pleasant discoveries. Noodlers Blue-Nosed Bear (the partly waterproof ink I used on the owl) showed beautiful colour variations when I added water, pulling turquoise tones out of the dark teal. ![]() For more inky explorations, see my blog post inky jellyfish. My ink samples come from Goulet Pens. It's been a great way of playing with different colours! (I am in no way connected to Goulet other than being a very happy customer!)
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Andrea England
An Artist Afloat- Painting the world one anchorage at a time. Archives
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