An Artist Afloat
Sailing and sketching
From sleepy Huahine to tranquil Taha’a- a straightforward day sail, despite the swell that was still with us. A barrier reef surrounding the island means it's well-protected, and the lagoon is deep enough that it's possible to cruise all around the island without leaving sheltered waters. We spent our first night in tranquil Apu Bay. The muddy bottom gave us good holding, but the deep water made hauling up the anchor hard work- I was glad to be on the helm and Jim was glad to have Bill there to help!
The Lonely Planet had raved about the lovely Joe Dessin beach. We wanted to pay it a visit, but approaching by dinghy meant that a bit of guesswork was needed to find it. We eventually spotted a strip of white sand fringing a coconut plantation, which seemed like a likely spot. We confined ourselves to snorkeling and sitting on the foreshore to avoid trespassing. There was just enough sand for each of us to plunk ourselves down with our legs being lapped by the water. Water movement meant sand movement, and when we stood up we found that we had most of the beach in our swimsuits. The snorkeling was nice- plenty of fish, interesting shellfish and some attractive coral formations. Afterwards, cruising past on Prism, we found that the main beach was just a little farther west- but we'd still enjoyed our private sandy spot.
Our next anchorage was off the island of Taotao. It's home to a beautiful resort, with white sands, turquoise waters, luxurious over-water bungalows and great views across to neighbouring Bora Bora. Bill and I went ashore to organise some diving and were pleasantly surprised by the warm welcome we received. The receptionist was even happy for me to sit in the lobby, styled after a traditional fare va'a (boat house), and sketch the century-old va'a motu which once sailed between the islands of the lagoon. The fish on the page are modelled on a carving of a tuna at the resort.
Later in the day we snorkelled the coral river, a patch of coral gardens in between Taotao and a neighboring motu. The second motu has a path to the start of the gardens, and a consistent current into the lagoon floats you along. Curious fish come and investigate (presumably hoping you'll give them a snack- fish friendly foodstuffs are available at the resort). The snorkeling was fun, and our dives the next day were excellent. We were taken to the outer reef - visible from the resort but a half hour journey by boat. The corals were healthy and there were plenty of colourful reef fish- no feeding here, leading to more natural encounters. Whale song echoed through one of the dives, and a highlight was a swirling school of jacks, who merged into a doughnut formation as our instructor swam through them. The diving and snorkeling inspired some more fish paintings- again inspired by Ohn Mar Win's lovely art.
We explored the main islsnd too, and were entranced by the glorious singing from the churches on Sunday. I also loved the array of woven hats sported by the ladies, which were lots of fun to sketch. We enjoyed pizza for lunch and took a free tour of Ia Orana pearl farm- very interesting and with a pleasant lack of ‘hard sell’ after. The oysters in Taha’a all originate from Ahe in the Tuamotus, where atolls provide far more favorable conditions (there's no muddy run off from the land, which the oysters don't like much). Oysters can produce up to four pearls in their life, and once they've produced one, all the others will be the same colour. When they reach the end of their productive life, the oysters become dinner and their shells are sold to crafts people. Nothing is wasted out here in the islands.
We could probably have lingered longer, but Bill's flight date was approaching and we wanted to see a bit of Raiatea before he left- plus we had a date with the boatyard to keep.
An Artist Afloat- Painting the world one anchorage at a time.