Jim's been working steadily on Island Prism, and I've been going down to the boatyard to take him lunch, sketch and lend a hand. I thought about making a visual record of everything we are (he is?) doing to get the boat ready for launching, but long furlers and small screws don't make for terribly arresting images. The boatyard itself is far more inspiring, so I've been doodling the boats instead.
Art-wise, this presents lots of interesting things to draw. It also highlights my inability to stick with exactly the same media for two pictures in row! On Thursday I drew a couple of boats being hauled out using Lamy ink and watercolour. I think I'm supposed to be horrified by the way the ink runs when I add watercolour, but actually I like the effect.
Both Prism's anchors are being stored on the ground. Their shapes and slight rusty patina were interesting so I sketched them in ink. I was going to paint them, but then I remembered I hadn't used my coloured pencils in a while. So I slowly built up the layers of colour in my home-made colouring pages. We spent a little while taking the roller furler apart- some of the plastic wedges holding it together were worn and needed removing.
On the drive home, the light over Auckland was absolutely stunning. I wanted my skyline to stay crisp and needed to work fast, so I pulled out my brush pen with de Atramentis document black and drew the view back to Okahu Bay and the city, then added watercolours. My flat water brush was perfect for catching the light reflecting on the sea.
Launch is supposed to be on 17th October. The timing is looking tight and we're not sure if we'll make it. We're planning to move onto the boat in November and have very exciting plans for next year... watch this space! Maybe by that stage I'll even be able to settle down into a signature style and medium. Do you tend to stick with one way of drawing, or do you flit between materials? I'd be interested to hear!
An Artist Afloat- Painting the world one anchorage at a time.