An Artist Afloat
Sailing and sketching
The Broken Isles are aptly named. There are certainly plenty of them, nestled together as if a butter-fingered giant dropped a larger land mass from above, then left the shattered pieces where they lay. This creates a sheltered cruising ground, and a great area for rowing and kayaking.
We took Island Prism into Effingham Bay on Effingham Island. The bay was a sheltered chip in the island's east side, shared with a couple of other boats and a very curious hummingbird, who returned numerous times to inspect us, my bike and the rigging. It also seemed to develop a fascination with the fire extinguisher in the galley, and I was worried it might have formed a bit of a crush. The anchorage was calm, and if the forecast of strong north westerlies was correct, we didn't notice a thing.
Jim had declared the Broken Group to be rather dull, but I think this trip changed his mind. Seals regularly came into our little bay, and our excursions in the dinghy took us to tiny islets teeming with starfish, mussels and sea birds. Exploring the south east coast of Effingham took us to an enormous sea cave, dripping with lush green ferns. We discovered rock arches, and found the site of a First Nations village. The shoreline in front of it was studded with tide pools, and I spent a happy hour reliving childhood holidays to Tenby, looking for fish, anemones and crabs.
It was then an easy cruise to Bamfield. This remote community is only accessible by boat or logging road, but is worth the effort. An inlet splits the east and west halves of the village. With no bridges, the endless flow of weaving boats and water taxis keeps the community stitched together. We called in at the East Arm to top up with water and grab some provisions, then took Prism round the corner to peaceful Grappler Inlet. We dropped the hook near to the jetty and enjoyed watching herons, eagles and river otters from the comfort of our cockpit. This was Jim's departure point when he and Island Prism left Canada back in 2007. It is also home to his friends Cliff and Laura, who waved him off on his voyage and were now waiting to celebrate his return.
We enjoyed great company for four days. From Cliff and Laura's elevated deck, we watched black bears foraging on the shoreline and eagles perched in nearby trees. We walked to a stand of pristine forest and paddled kayaks around the inlet, enjoying home smoked salmon after our adventures. Laura and I visited Kixiin, the remains of a First Nations village at Execution Rock. Our native guide, Whisky, shared the history of the site. His chants brought the past to life, and his commentary was interesting and insightful. He showed us fallen house posts and conjured back the long house, the whale chief's house and the dramatic events of bravery and betrayal which took place over a century ago. The Huu-ay-aht Nation places great value on their history, and is also playing a central role in the regeneration of Bamfield after many of its key businesses were purchased and run down by an unscrupulous businessman. The tour is currently complementary- you can find out more at kiixin.ca/
South of Bamfield lies the Graveyard of the Pacific, final resting place of scores of ships battered against this inhospitable coast. Once again we thanked modern weather forecasting and GPS- we had a smooth passage, where the only excitement took the forms of seals and sea lions. The dramatic currents of the east coast began to make themselves felt- passing Race Rocks took half an hour as we battled a strong current, finally finding the back eddies that allowed us to make progress. We'd been hoping to anchor in Oak Bay, but the anchorage was taken up with mooring buoys and it was hard to find a suitable spot. A kindly local pointed us to a sturdy buoy which would be vacant for the rest of the week, so we tied up and dinghied ashore to spend a week with Jim's brother Bill.
Victoria is often described as being the most English of all Canada's cities. It definitely retains a strong British colonial feel, evident in the architecture of buildings like the Empress Hotel. There is a wealth of things to sketch, but my time in Victoria was busy and my sketchbook mainly stayed in my bag. Instead I painted my way through a pair of exciting commissions, and filled in a pile of much less exciting paperwork.
I managed a few quick drawings of the little water taxis which ply the harbour, the stag which reclined on the front lawn and the young heron we saw in town. I made the most of a five minute break to sketch the state legislature, and grabbed time for a few quick drawings of the totems by the museum downtown.
As World Watercolor Month Artist Ambassador, I've created two new tutorials over at Doodlewash. Create colorful summery cards using a wet-in-wet technique or learn about value and make mini landscape paintings. You can read the tutorial over at Doodlewash- click the banner above to get there! Keep the kids entertained this summer or get inspired yourself!
This is also the last day I'll be donating 10% of all sales to the Dreaming Zebra Foundation- visit the Store section of my website or click the button below to make a difference and bring art and music to kids who need them!
Depending on your hemisphere, your kids are either enjoying long summer holidays or a chilly, soggy winter... what better way to keep them entertained than by playing with watercolors?
I've put together a tutorial for a fun color mixing activity that will help your kids learn basic watercolor techniques as they explore a magical underwater world- and there are ideas for expanding the activity too. You can check it out on the Doodlewash website
If you want to help disadvantaged kids to access their own creativity, as an Artist Ambassador for World Watercolor Month I'm giving 10% of all sales in July to the Dreaming Zebra Foundation. Treat yourself or a friend at my Etsy shop- and help change a child's life!
Our sail from Ucluelet to Tofino was more of a motor trip. We peered through the thin shroud of fog as Prism rolled over the Pacific swell. Amphitrite Lighthouse was glowing away, a reassuring supplement to the clanking navigation aid and our trusty GPS. As visibility improved, we could see the stretches of golden sand that form a series of surf beaches, separated by rocky headlands. Mist hung about them even as the sky cleared- the spray tossed up by the rolling breakers obscures these beaches slightly no matter how bright the day is.
I was hoping to see a sea otter, but Jim told me this was very unlikely, These shy creatures were slowly building up their population on the west coast, but didn't venture as far south as Tofino. We turned away from the Pacific to begin our approach, past the lovely Chesterman Beach, where houses cling to rocky peninsulas, perfectly placed for storm watching in the winter season. I saw something in the water. A seal? Or a sea lion? It looked pretty big. Jim passed me the binoculars- the long whiskers, golden sideburns and characteristic incredibly cute floating-on-its-back pose were unmistakable. It was a sea otter! It watched us as we motored into the island-filled inlet leading us to the town.
We'd been assured that there would be space on the public dock, but this turned out to be rather optimistic. Once again we needed to raft up to another boat. The visitor's pier, E dock, housed two other sail boats and a flotilla of small craft. Slowly cruising past, we confirmed that there were indeed no spaces, but some of the small boats didn't appear to move much- we could raft up to the cruising yacht at the end of the dock, move a small barge and create enough space for Prism to fit in, out of the currents in the channel. I checked the depth sounder and started to turn. Nothing happened.
Jim told me I was stuck- but the depth sounder showed 2.5 meters of water beneath us. We draw less than two meters so there shouldn't have been a problem- but Jim was right. Whatever the depth sounder was telling me, I wasn't going anywhere.
Jim tied a line from Prism to the dinghy, hoping that we could pull Prism off the sand bank. Rowing gave him a great workout, but Prism couldn't be persuaded to leave her nice comfy sandbank. There was nothing to do but wait a few hours for the tide to finishing ebbing. Slowly and gently, Prism laid down, much to the entertainment of everyone on the dock. Cooking became interesting as we heeled over. The rice worked fine, but as the gradient of the stove grew steeper, I found myself having to hold the frying pan to stop it slipping off- and even then it was impossible to get an even heat. It was not my most successful curry ever, but thankfully it was vegetarian, and eventually I decreed it to be warm enough to eat.
Time passed, the tide changed, and we slowly worked our way back to an upright position until we were finally afloat. I was glad it was dark, though I'm sure my cheeks were glowing as we took Prism in to the dock. The other liveaboard residents were waiting to help us with our lines, and to share stories of their encounters with my little sandy hillock. Thank you Bob, if you read this, for helping my poor bruised ego!
Safely moored on the public wharf, we were able to set about exciting things like taking warm showers (at $1 for 2 minutes, I may have achieved a new personal best for speed showering). The weather was wet, but this isn't unusual on the West Coast, and the town and its surroundings were still beautiful. I was excited to find that Tofino now has an art supply store, and once I'd purchased some much-needed paper I wandered around the downtown galleries to absorb some creative inspiration.
Built out of cedar, the Roy Henry Vickers Gallery is an olfactory experience as well as a visual one. The rich, warm scent of the wood greets you as soon as you open the doors. Inside, benches and sunken seating throughout the long house invite visitors to linger amongst the artwork, and massive wooden carvings enhance the indigenous setting. My favourite paintings are Vicker's sunsets, often complete with his magical 'shadow images'- shimmering designs which appear as the viewer walks past. These shadows often depict native imagery, and add a spiritual side and a sense of history and culture to the wonderful land and seascapes. Just down the street, the Mark Hobson Gallery delights in realism, full of hunting eagles, luminous waves and twisting seaweed. Photographing the work is encouraged, and Mark was there, apron on and paints set up, hobnobbing genially with visitors.
Tofino is relatively bike friendly, and when the sun came out we decided to make use of the multi-purpose path that heads out of town to the Botanical Gardens. Around the cafe are pretty cottage-style flower beds and a community garden, along with a beautiful lily pond. The garden path soon enters woodland, full of native trees and plants. As the forest grows denser, the trail becomes a boardwalk, full of little side paths with views over the Clayoquat Sound. The tide was out, but the sun had transformed the mudflats into an expanse of sparkling silver, with stripes of vibrant green seaweed and blue water. We found a pebbly beach to enjoy the vista whilst hummingbirds and dragonflies buzzed round us. Finally hunger set in, so we returned to the cafe and munched croissants whilst listening to a talented jazz pianist.
Jim's brother Bill drove out to join us on Prism. His car gave us all the chance to explore further, so we made expeditions to Chesterman Beach, Wickanninish, Combers Beach and the suitably named Long Beach. Bill and I walked along the sand whilst Jim rode around on his little fold up bike, which worked really well on the hard sand close to the water. The ocean spray cast its usual magic, reflecting the sunshine and creating a light mist across the golden sand. We strolled the length of the beach and crossed the headland to poke around the bustling tide pools of Combers Beach, which were full of darting scalpins, lumbering crabs and a host of colourful starfish and anemones. We could have stayed there all afternoon, but hunger set in so we drove to Ucluelet for a late lunch.
After five blustery days, the weather calmed. We provisioned up and took Prism out to spend a few days on Flores island. We motored through swirling mists and thick fog, thankful for our GPS which let us know exactly where we were. Strong currents ran through the maze of channels. They played havoc with our speed, accelerating us to six knots before slowing us down to four. It didn't matter- the sun was slowly increasing the visibility and we were too busy watching the jaunty flocks of rhinoceros auks and looking out for sea otters to mind a little bit of a slog.
Five otters later, we turned into the long inlet which cuts into Flores Island. A few small fishing boats whizzed past us and a sea plane buzzed overhead. We passed the little village of Ahausat, with its century-old general store, and poked about the various arms of the inlet until we found a place to anchor. It was a secluded spot- away from any signs of habitation. The ravens greeted us with a chorus of 'ki tok's, and the bald eagles seemed to be giggling about something, as bald eagles often do. Our hopes of seeing bears at low tide were not rewarded, but a seal came to visit and one of the eagles gave us a display of how to fish bird style.
Bill and I tried to follow a walking track through the woods. We were well-armed with bear bells, a bear horn and bear spray (which apparently ISN'T for helping to style their fur). Sounding a bit like Santa's reindeer, we jingled our way along a twisting trail which was a clamber rather than a walk. Over and under fallen trees, through swathes of sticky mud which tried to steal my boots- it felt a bit like we'd fallen into 'We're Going on a Bear Hunt'. Eventually we decided we'd had enough of scrabbling through the mossy forest and bushwhacked through to the beach. This was slightly easier going, though the muddy patches shared the kleptomaniac tendencies of their forest cousins and insisted on trying to relieve me of my footwear. We crossed the foreshore and wandered through crab-infested grass to a shallow lagoon where three herons were keeping their eyes open for afternoon tea. We called for our taxi (also known as Jim in the dinghy), and tried to wash off the worst of the mud before we returned to Prism.
The calm waters created a great place to row. Our inflatable dinghy is a little cumbersome as a row boat, but we were still able to poke around in hidden corners and paddle up to the mouth of the tumbling stream which entered the inlet. The clear water gave us a great view of the fishy denizens of the inlet- presumably it helped the eagles too. We all enjoyed the slow pace of life for a few days before returning to busy little Tofino. Once again, the sea otters were out in force. Most of them stayed away from Prism and her rumbling motor, but a few came close. One was busy tucking in to a tasty breakfast of red rock crab, and another was having his morning wash, bobbing along on his back as he scrubbed his whiskery face with webbed paws. A third surfaced a few meters in front of Prism. She was just drifting along in neutral, but the otter quickly turned tail and dove. 14 tons of sail boat was not what the little creature had been expecting.
Our return to Tofino was much less eventful than our first arrival. We tied up to the dock, offloaded crew and took on ice and vegetables. Soon Bill and his little blue electric car were speeding off towards Victoria. Jim, Prism and I were heading that way too- at a more leisurely pace and via the islands of the Broken Group and the inlet of Bamfield.
Don't forget- July is World Watercolor Month and as an Artist Ambassador I'll be giving 10% of all sales to the Dreaming Zebra Foundation! You can view prints, bags, notebooks and original artwork at Andrea England Art on Etsy. Sign up for my newsletter to stay informed of blog updates and arty happenings!
Occasionally, you get to a place and feel like it resonates with something in your soul. Cornwall, Winchester, the Tutukaka Coast and Tofino have that effect on me. I soon felt the same way about Ucluelet. Friendly folk at the Small Boat Harbour, an artsy vibe round town and an abundance of great walks and beautiful views- it's not hard to see why the place caught my imagination.
The West Coast of Vancouver Island is known for its wet weather. It's still beautiful in the rain, with its misty greens and subtle greys, and the rain tends towards a steady drizzle. Very English, really. Mostly, though, the sun came out for me, and I made the most of it, leaving Prism at the marina whilst I hit the Wild Pacific Trail
The trail is in two sections: a loop at the very end of the peninsula and a return track further on. The loop takes in the aptly-named Inspiration Point, Amphitrite lighthouse and a fascinating section of bog, full of twisted trees, thick pillows of moss and sinister sundews just waiting for bugs to fly into their sticky clutches. I love carnivorous plants! The trail was easy, with plenty of viewpoints and lots of information about the flora and fauna. Most of the signs were close to the correct plants, so I soon learned to tell the difference between deer ferns and sword ferns, and could pick out the skunk cabbages- which thankfully had not yet reached pungent maturity.
Plenty of sketch breaks and a few side trails meant it took me a while to complete that section of the trail. The next day I got up early to complete the second section, starting with a peaceful stroll along Big Beach, where I was soon distracted by the lush seaweeds and a crow trying to smash open a tasty bivalve. Having the beach to myself, I tried painting the hazy light and vibrant golds and browns, until I'd filled a spread of my sketchbook and realised that I'd been there over an hour. Time often stands still when I'm making art.
The trail led me through a resort, to beaches strewn with enormous logs carried in by the waves and bleached to bone white- skeletons of the giants of the forest. I followed a series of Artists' Loops, with plenty of benches and viewing platforms over the pebbly beaches and pounding waves. Even on a calm day their power sent spray flying. I could see why storm watching is a popular winter pastime here- though not one I'd like to try from Island Prism!
Of course, it would have been rude not to make the most of the sketching opportunities so kindly provided, and I was keen to try and paint the wonderful light and the many shades of green. My palette holds some lovely mineral greens- green apatite, serpentine, amazonite and jadeite, but I found I was reaching for my blues and quin gold to mix my own. It seemed the best way to capture the distance, depth, light and shade; after years of being a lazy colour mixer I felt redeemed.
Time check- almost three. I completed the Ancient Cedars loop and was determined to make the Rocky Bluffs which mark the end of the trail. This was well worth it. The waves grew wilder and the vistas back down the coast were expansive and impressive. My pen was running out of ink, my water brush was down to its last dribble having already been refilled, and my water bottle was also down to its last few sips. The trail halted and I turned around, pausing only briefly to enjoy my favourite scenic spots and photograph a few banana slugs- which are indeed banana yellow and seem to get browner as they get older. Unlikely as it sounds, the native slugs are rather interesting- including the implausibly athletic-sounding jumping dromedary slug, which presumably are the ninjas of the slug world. They certainly had stealth mode enabled, as I didn't see any.
Ucluelet held indoor attractions too. The Mark Penney Gallery held some beautiful work, and Mark was happy to talk me through his latest work in progress and give me tips on how to paint realistic reflections (in the reflection, the lights are darker than object they're reflecting, whilst the darks are lighter than on the original). Wonderful First Nations creations filled the Cedar House Gallery, and next door the Den housed a studio and a small shop filled with prints, jewelry and weaving. I fell in love with a tactile weaving which was taking form in the studio, and with difficulty tore myself away from the squishy balls of locally spun wool available in the shop. Crossing the street, we moved from art to natural history and entered the aquarium. The fish are all local and everything gets released at the end of the season; fish, octopus, scallops and sea urchins all return home and the aquarium is scrubbed, cleaned and closed until the spring. The staff were all young and very knowledgeable and enthusiastic, answering my questions about sea pens and jellyfish. I watched the wolf eel devouring crabs, tickled a sea anemone (which grabbed my finger with its sticky tentacles) and stroked a starfish- it always amazes me how hard their pillow-like bodies actually are.
We spent the whole afternoon there, with Jim making the most of the well-stocked reading corner whilst I sketched and sketched and sketched. My pen ran out of ink- then committed hara kiri by throwing itself nib-down onto the floor. I managed to straighten it but it wasn't quite the same. Closing time was near, so we thanked the staff and wandered back to Prism.
The weather forecast ahead was poor, and if we wanted to make it north to Tofino we needed to leave before we faced thirty knot headwinds (no thanks). Classic Ucluelet fog and drizzle had moved in, which made the place soggier but gave it a mysterious beauty. I finished a couple of loads of laundry, splurged on a pair of slippers for my poor chilly toes and completed a watercolour sketch of a fishing boat in the mist. Then we cast off from the boat we were rafted to and motored through the thick, still, chilly air to the open ocean, once again watching the bald eagles who soared above the boat.
After three weeks at sea, a hot shower becomes the embodiment of paradise. So it was with great excitement that I grabbed a handful of loonies (Canadian $1 coins) from my loony (erm, I mean from my loving husband) and strode out into the cold armed with towel, shampoo and shower gel. The marina showers cost a dollar for 3 minutes, so I decided to splash out on 6 minutes of delicious hot water, with funds for three more lying glinting on the bench. My dollar coins plunked into the shower timer and I turned on the shower in anticipation of deliciously hot water. What I received was a spurting, irregular gush of liquid just a few degrees off being ice, before turned into a jet of air. I spent three minutes of frustration turning the shower off and on, fiddling with temperature and willing the universe to miraculously fix the only working shower in the marina. Sadly, the universe was otherwise engage. The three minutes were over, my second dollar gone without trace, and I had no option but to rerobe and slink away just as dirty but slightly colder than I was before.
Thankfully Jim had seen a gym nearby. For $4 I could luxuriate in their showers for as long as I wanted. It was the best $4 I'd ever spent, and half an hour later I felt like I had rejoined the human species. Soon our laundry was similarly fragrant and we were ready to pack for our trip to Coombs the next day.
Coombs' main claim to fame is 'Goats on the Roof', a great market with eponymous ungulates. Nearby live Jim's sister Lorraine and her husband Tim, on a lifestyle block with two horses, six sheep, a pair of Portuguese water dogs and an aging cat. Evenings were spent outside, barbecuing and sitting by the fire watching eagles and hoping hummingbirds would flit by the feeder. Expeditions into Parksville gave us the chance to see Jim's mum, catch up with our friends Dan and Diane and organise all those essential modern life things like cell phones. There was lots to sketch too- wildlife, mountains and beautiful birds of prey at the wildlife rescue centre.
The rescue centre is home to animals from all over Vancouver Island. Most of the residents are out of sight- the centre aims to rehabilitate and release where ever possible, so it's vital that the animals don't get too used to humans. Cameras let us spy on the family of black bear cubs, and peepholes into a large aviary allowed us to watch recovering bald eagles who will one day soar the skies again. Two black bears and a number of birds were permanent guests- either too used to humans or too badly injured to be returned to the wild. Owls and hawks looked snootily down upon us, whilst the ravens and blue jays seemed as interested in us as we were in them. Jim's attempts at chatting to the ravens didn't go down well. I wonder if he was swearing by mistake. I made the most of the chance to sketch these birds close up.
Back in Coombs, the owner of the General Store mentioned that he was looking for a piece of art to hang on a nail by the entry. I showed him my watercolour of a Bald Eagle over Mount Arrowsmith, and it was deemed nail-worthy- so if you're heading to Goats on the Roof this summer, make sure you pop in (the Coombs General Store is in a gorgeous heritage building and owner Dale is lovely).
We had a wonderful week of great company, fantastic food (thank you Tim and Lorraine!) and hot showers. But we also had the West Coast of the Island to cruise, so boarded the bus for the beautiful drive back to Ucluelet and Island Prism.
July is World Watercolor Month and I'm an Artist Ambassador for the event!
*Paint a watercolor a day, using the prompts below or your own ideas
*Draw in ink first, use pure watercolor or experiment with mixed media techniques
*Try a limited color palette to develop your mixing skills as you work through the month
There are no rules- paintings can be as big or small as you like. 31 paintings seems too much? Make each picture just a couple of inches tall, perhaps cover a larger sheet of watercolour paper with 31 rectangles or put 6 squares on each page of your sketchbook. Too busy? Why not try a painting every other day or just pick your favourite prompts! Share your work on social media with the hashtag #WorldWatercolorMonth.
As well as encouraging you to get your paints out, World Watercolor Month aims to bring creativity to everybody by supporting the Dreaming Zebra Foundation. For the whole of July I'll be donating 10% from all sales from my Etsy shop to Dreaming Zebra, providing art supplies and classes to children who would otherwise be unable to access them. Choose from original artwork, prints, cushions and bags- and support a great cause!
You can also support Dreaming Zebra with a limited time purchase from the Doodlewash store, including a range of studio pouches from the seven Artist Ambassadors.
Six months ago, I took a course called 'Imagining' over at Sketchbook Skool. I spent one of the weeks drawing the adventures of a penguin and elephant. I'd always intended to finish the sketchbook, but put it away and got distracted by other things. On route from Hawaii to Vancouver I pulled it out again- the perfect distraction from the potential tedium of a three-week boat voyage.
By the end of the voyage I'd created a series of illustrations, with a few more in pencil awaiting inking (I'll share them when they're done)! I'm thinking they might also look cute reinterpreted in watercolour and ink. I'm also thinking that they might make fun colouring pages if I turn them into line drawings- leave a comment if you'd be interested! In case you are wondering, I also worked on the sea monster book- but that's staying under wraps for the moment!
Below is a little slideshow with the original series of Pingu and Amuk drawings.
On our final day in Oahu,we refueled Island Prism and sailed westwards along the south coast. Away from Honolulu, the steep hillsides became less sparsely populated and the strips of golden sand had not yet gained fringes of houses and towers. A small pod of dolphins cruised past us a little before dark, when we passed the most westerly point of the island and pointed the boat north.
Our first few days were rather rocky as we beat our way into the wind- the penalty for trying to cross the Pacific the wrong way! We were well-stocked with ice and I'd precooked our meals for the first few days, which made life in the galley much easier. Jim and I quickly fell into our usual pattern of taking turns with six-hour watches. There wasn't too much to see once we lost sight of land- in the beginning both days and nights were cloudy, the full moon occasionally visible through the haze. I didn't feel up to painting to start with, so decided to try a small watercolour sketch each day. Painting the sea and sky would let me play around with techniques and colour, and I'd build up a record of our passage.
I pulled out an old sketchbook which I started a couple of years ago and barely used. It's a Strathmore 400 series field notes book, with a sheet of thin cartridge paper between each watercolour leaf. Originally I felt like the cartridge paper got in the way, and the spiral binding got in the way of double page spreads. However, on passage the binding made the book more compact and easy to handle. I could use the cartridge paper to keep a log of each day and to make little sketches in biro. I also stopped being precious, and if a cartridge sheet seemed superfluous I just tore it out. As I regained my sea legs I was more inclined to paint, and began creating some full page paintings. There were also days when the light was constantly changing and one quick sketch didn't seem enough. I decided that my 'small painting a day' would be a minimum, and told the story of the weather using multiple boxes if I felt like it.
We motored for a day as we passed through the doldrums. The seas calmed down as we moved farther north, though we still had a good stiff breeze. Although we were still traveling upwind we were no longer beating into the waves, the gentle swells made life pretty comfortable and we cruised along at a respectable 6 knots. Prism seemed eager to get back to Vancouver Island!
We crossed a few shipping lanes, populated by ships journeying between Asia and the US or Mexico. The sea feels enormous and empty when you're floating alone, so we enjoyed our brief radio chats. The captain of Morning Margarita even found Prism's Facebook page and sent us a lovely message for when we reached port.
The only other signs of life were the sea birds who skimmed the waves in an endless, effortless glide. One night a small petrel decided that the cockpit would be a safe roost. It was rather disgruntled when Jim had to adjust the wind vane, and flapped off into the darkness. The waning moon faded to nothing, and rose later and later, so the nights were truly dark, especially when cloud obscured the stars- we could have been sailing through a pot of India ink. Cold and cloudy days made us really appreciate the GPS- with no sun to take sightings, we'd have been totally lost without modern technology.
16 days in, the wind vane broke. It's a wonderful, simple and effective piece of equipment with a sail and a water rudder which steers Prism using the power of the wind. Without it, we have to hand steer- which quickly becomes tedious in the open ocean. Initially Jim thought that one of the lines had broken, but longer inspection revealed that a bolt had rusted through. Thankfully Jim's Big Bag o'Bolts contained a perfectly-sized replacement (this almost never happens, even though he has enough hardware to supply a DIY store)! We sailed onward, snug inside as the temperature decreased daily and we piled on increasing layers of clothes.
Three days from Canada, the wind vane broke again. This time the welding on the quadrant broke. Jim lashed the offending join with twine, but the opposite side soon followed. As the seas grew rough, we were faced with days of hand steering and pounding into the chilly waves. A heavy stream of freighters poured out of Seattle and Vancouver, waves breaking over them and throwing up towers of spray higher than the ships. Prism seemed more sedate- whilst our ride was far from comfy, we rose up and down with the swell rather than cutting through it.
Then land came into sight and the wind and waves died down. We motored for the final day, as Vancouver Island drew closer. Some of the mountains were topped with blobs of snow, and I donned hat and gloves. Two Pacific white-sided dolphins cruised past, and I was excited to see a large white sunfish basking on its side, trying to absorb what little warmth was on offer. It gaped at me as I steered past it, close enough to see its beady eye and waving pectoral fin.
By evening, we were approaching Trevor Channel. Twilights here were long and lazy, and the russet sky let us see our way into Bamfield where we tied up to the Coastguard dock, ready for Customs in the morning. The stillness was delightful but disconcerting, and my body felt as if it was still rocking.
The sun was well and truly up in the morning when we had a knock on the hull. The coastguard had arrived for work- and informed us that Bamfield was not, after all, a port of entry. It seems things have changed since the publication of our cruising guide. We were politely but firmly invited to depart, so made our way through the Broken Group- scattered shards of rocky islets and small tree-covered islands. They were lovely and almost deserted, except for the odd fisherman and a colony of somnolent harbour seals. Turning towards Ucluelet, bald eagles soared above us and as we moored a river otter hopped out from the water onto a nearby dock. Whilst we waited for the RCMP to come and inspect the boat, kingfishers swooped by and a Stellar sea lion swam past. It wasn't warm or sunny, but it was a kind of paradise, as was my long hot shower when we reached Ucluelet Small Boat Harbour. Our Pacific crossing was finished, and a summer of cruising Vancouver Island stretched ahead of us.
...We're nearly gone. The sat phone is up and running, the fridge is stocked with ice, Jim's complaining about the number of provisions, the amazing Jacqui is updating Prism's Facebook page (you can follow the feed here if you're not on Facebook). The lovely Lynn is taking care of the Etsy store whilst we're at sea (you can get 10% off until we cast off the mooring lines on Tuesday 29 May).
Lately, sketching has been fitted in between boat work and watercolors, so this post has a little less colour than usual- but I hope you'll still enjoy the sketches!
With brother-in-law Tim at the wheel, we drove to Pearl Harbor. A number of free tickets are issued each day, and we were lucky enough to get tickets for the next tour. The visit starts off with a documentary film, featuring lots of original footage of the run up to and aftermath of the bombing. It was factual and well-presented, helping us to frame events in the context of the lanscape. Next we boarded a boat and were taken to the Arizona Memorial. The ship remains beneath the water, a tomb for the hands who went down with her, the sculptural memorial seeming to float, cloud-like, above.
Back on shore, I chose not to sketch the missiles and guns on display and concentrated on the more human exhibits. The lei on the statue added a pop of colour. Of course I closed my sketchbook too soon and ended up with a purple blob on the facing page. This ended up influencing the design of the whole spread- I think it worked out ok in the end!
The Honolulu Museum of Art was housing a flower show. I took my pencil (no pens or paints allowed) and sketched some of the gorgeous blooms and arrangements. I took photos to help me colour later- though as you can see, I haven't got far with that yet!
I was a bit disappointed to discover their Georgia O'Keefe collection was on holiday in New York, but spent a while immersed in one of Monet's waterlily paintings, and exploring the Hawaiian art exhibits.
In between painting the cockpit and whipping the new lifelines, I also had some sketching time round Waikiki. Afternoons were spent on my Polynesian Square watercolour series, and evenings were for drawing the beach and marina.
Just beware of suspicious people sketching round marinas (oops)!
An Artist Afloat- Painting the world one anchorage at a time.