Photos from our Fakarava adventure, taken with my little Canon D20 underwater camera. Please take a peek at sketching-with-sharks for the full blog write up and my art work!
My idea of heaven would probably be a sketchbook that I could use underwater. But then you'd never get me out of the sea. This is one of my post-dive day sketches from out at the Poor Knights. I'd love to get out there again but boat maintenance has been getting in the way (on the plus side, the cockpit lockers are much more watertight).
We have, however, been round to beautiful Whale Bay, wandered up to Tutukaka Reserve and lazed on lovely Matapouri Beach. I've been learning how to use my Wacom tablet with Photoshop via Skillshare and preparing some more designs for Redbubble. We'll eventually drag ourselves away, I'm sure, but this is a wonderful place to be.
Do you ever find that your opinion of something you've done changes over time? Sometimes a finished painting leaves me very disappointed, then I pull it out years later and love it. Other times I can be really pleased with something, then later inspection leaves me feeling flat. My lionfish was one that gave me mixed feelings- I love the fish itself but worried that I should have painted the reef instead of leaving it white. I tucked it away for a couple of weeks and came back to it.
Part of me still regrets not painting the entire background turquoise, but I still love the graphic patterns and shading on the fish. So I scanned it in and decided to have a play digitally.
Cutting and copying the lionfish in Photoshop took quite a while, but when I added a solid turquoise background it all became worth it. The fish still has the watercolour feel I love, and the background lets its shine!
He's joined my orca and manta ray over on Redbubble. There's something very exciting about seeing my artwork out there on stuff- and feeling that both my watercolour and digital image skills are coming along nicely! Click the images below or the shop link above if you'd like a closer look!
On drizzly days, I've been pulling out my photos from diving and snorkeling trips, and painting watercolours of some of my favourite sea creatures.
The difficulty with taking photos when diving is that things often get a bluish cast, or backscatter from the flash unless you have external strobes. My budget definitely does not extend that far. So I figured I can take some of my favourite pictures and express them in water colour.
The aquatic backgrounds have also got me playing with negative painting. It's a relatively new concept to me, and one I stumbled upon in a Collins guide to painting flowers- suddenly I realised how many of the artists I love create their subtle layered backgrounds! I didn't pull it off so well with the clownfish, but I'm pretty happy with how it turned out on the nudibranch painting above.
With the lionfish, I committed the cardinal sin of completing the water and the fish before I touched the reef. Now I'm really worried about getting the reef colours wrong, unbalancing the image and losing the impact of the lionfish. Maybe some gentle green-grey outlines will suffice... or perhaps I'll leave it like this and enjoy the clean zing of what I've done. What do you think?
There's a wonderful sense of achievement when you finish a picture that you've been working on all week! I began drawing a word with illustrated letters last weekend. In my infinite wisdom I decided I'd work on it in ballpoint pen and would cross hatch the whole thing. This probably meets Andrea Joseph's success criteria for 'drawing like a barmpot'. I have worked in biro before, but this A4 drawing was the largest yet.
Some things I learned:
I'd love to hear what you think!
An Artist Afloat- Painting the world one anchorage at a time.